Elgar

Music Notes

Music, music, music.  And only music, music, music.

Longing for L-O-N-G classical music pieces:

Music to lull someone to sleep – 

Someone in the family has been waking in the middle of the night (I might be glaring at my son right now) and the only way to get said person back to sleep is to sit with him in his darkened room and listen to two or three calming, lengthy (this is key, short ‘n’ choppy does not do the trick) classical music pieces.  Each one needs to whisper, “you are getting sleepy, you are getting sleepy, you are getting sleepy”:

  • 14+ minutes:  Ralph Vaughan Williams “The Lark Ascending”
  • 12+ minutes”  Dvorak’s “Symphony No. 9” (“From the New World”), movement II
  • 12+ minutes:  Beethoven’s “Symphony No. 6 in F major”, movement I
  • 12+ minutes:  Beethoven’s “Symphony No. 6 in F major”, movement II
  • 9+ minutes:  Mozart’s “Concerto for Flute and Harp in C major”, movement II (the Andantino)
  • 9+ minutes:  Schumann’s “Symphony No. 3 in E flat” (“The Rhenish”), movement I
  • 9+ minutes:  Josef Strauss’s “Music of the Spheres”
  • 8+ minutes:  Rimsky-Korsakov’s “Scheherazade”, movement I (“The Sea and Sinbad”)
  • 6+ minutes:  William Grant Still’s “Song of the Riverman” from “The American Scene – The Southwest”
  • 5+ minutes:  John Williams’ “Approaching the Summit”, from the movie, “Seven Years in Tibet”

Music to draw out the evening – 

Sometimes we speed through stories and studies and it is still quite early in the evening.  We have time for longer classical music selections than usual, and we pick livelier than the “lulling to sleep” pieces:

  • 12+ minutes:  Mendelssohn’s “Overture to A Midsummer Night’s Dream”
  • 11+ minutes:  Smetana’s “The Moldau” 
  • 10+ minutes:  Dukas’s “Sorcerer’s Apprentice” 
  • 9+ minutes:  von Suppe’s “Poet and Peasant Overture”
  • 9+ minutes:  Ponchielli’s “Dance of the Hours” from his opera, “La Gioconda”
  • 9+ minutes:  Mendelssohn’s “The Hebrides Overture”

April looks back at March:

Music for St. Patrick’s Day –

We compared two interpretations of the jig,  “The Irish Washerwoman”, inspired by the 17th century English Folk tune, “The Dargason” (Anglo-Saxon word for fairy)(not a river as I first assumed)(but seriously, doesn’t “The Dargason” sound like a river name?) –

– Gustav Holst’s “Fantasia on the Dargason”, composed in 1911 for his “Second Suite for Military Band”.  An excellent VIRTUAL performance by the Sacramento State Symphonic Wind Ensemble from October 2020. 

– Leroy Anderson’s “The Irish Washerwoman” from movement one of his “Irish Suite”, first performed in 1947.  Rollicking (we expect no less from Leroy Anderson) –

Music Madness –

We created our own March Madness Classical Music Brackets and pitted our favorite pieces by British composers (Handel, Holst, Vaughan Williams, Elgar, Binge, Sullivan, Clarke, and Alwyn) against each other.  After 9 grueling rounds, the top thrilling three:  

“The Wild Bears”, by Sir Edward Elgar from “The Wand of Youth”, suite II (1908).  No question about this, “The Wild Bears” is my son’s favorite classical music piece.  It has everything – scampering, tiptoeing, abrupt twists and turns, superb use of every instrument in the orchestra, and a smashing conclusion – all packed into 2+ minutes:

“Arrival of the Queen of Sheba”, by George Frederich Handel from his oratorio, “Solomon” (1749).  Don’t miss this short video if you want to see your first THEORBO (a ridiculously large lute-type instrument):

“Sailing By”, by Ronald Binge (1963).  This is the BBC4 Shipping Forecast theme, and we love it.  Comfort listening:

Welcome to the best part of my day!
– Jane BH

The Liberace Instigation

liberace

This post is not about the man, Liberace, but about a GLARING ERROR he made before treating the TV audience to his take on the classic Strauss “Beautiful Blue Danube Waltz”.  See for yourself:

You saw the problem, right?

Of course, I am referring to the introductory comment: “…I would like to take you back…many hundreds of years ago to that wonderful, romantic night when Johann Strauss first introduced the waltz…”.  Here is the GLARING ERROR:  Johann Strauss II premiered “The Beautiful Blue Danube Waltz” in 1867, just 86 years (NOT many hundreds of years) prior to Liberace’s 1953 TV show.

I sort of want my son to have a more accurate sense of when important musical compositions were written, so I have put together a simple chart of classical pieces that he is familiar with, and paired them with US Presidential administrations. This will give us both a bit of a sense of what was going on in the world when each piece was written, and remind us that many great compositions are not as old as we think (or Liberace thought)(seriously, I suspect a lot of people think classical music was written 500 years ago, in a galaxy far, far away).

The chart works this way:

USA Presidential Administration – 1 orchestral piece composed or premiered during that time period

George Washington  –  Haydn’s “Symphony No. 94” (Surprise Symphony), 1791
John Adams  –  Beethoven’s “Piano Sonata No. 14” (Moonlight Sonata), 1801
Thomas Jefferson  –  Beethoven’s “Symphony No. 5”, 1808
James Madison  –  Rossini’s “The Barber of Seville”, 1816
James Monroe  –  Schubert’s “Marche Militaire”, 1822
John Quincy Adams  –  Rossini’s “William Tell Overture”, 1829
Andrew Jackson  –  Mendelssohn’s “Hebrides Overture”, 1830
Martin Van Buren  –  Chopin’s “Piano Sonata No. 2” (The Funeral March), 1837
William Henry Harrison  –  Wagner’s “The Flying Dutchman”, 1841
John Tyler  –  Mendelssohn’s “Wedding March”, 1842
James Polk  –  Liszt’s “Hungarian Rhapsody No. 2”, 1847
Zachery Taylor  –  Schumann’s “Symphony No. 3” (The Rhenish), 1850
Millard Fillmore  –  Verdi’s “Rigoletto”, 1851
Franklin Pierce  –  Foster’s “Jeanie with the Light Brown Hair”, 1854
James Buchanan  –  Offenbach’s “Orpheus in the Underworld” (the Can-Can!), 1858
Abraham Lincoln  –  Howe’s “Battle Hymn of the Republic”, 1862
Andrew Johnson –  Strauss II’s “Beautiful Blue Danube Waltz”, 1867
Ulysses S. Grant  –  Grieg’s “Peer Gynt Suite”, 1876
Rutherford B. Hayes  –  Gilbert & Sullivan’s “HMS Pinafore”, 1878
James Garfield  –  Bruch’s “Scottish Fantasy”, 1881
Chester A. Arthur  –  Waldteufel’s “The Skater’s Waltz”, 1882
Grover Cleveland  –  Saint-Saens’ “Carnival of the Animals”, 1886
Benjamin Harrison  –  Tchaikovsky’s “The Nutcracker”, 1892
Grover Cleveland  –  Dukas’ “The Sorcerer’s Apprentice”, 1897
William McKinley  –  Rimsky-Korsakov’s “Flight of the Bumblebee”, 1900
Teddy Roosevelt  –  Elgar’s “Pomp and Circumstance, No. 1”, 1901
William H. Taft  –  Stravinsky’s “Rite of Spring”, 1913
Woodrow Wilson  –  Holst’s “The Planets”, 1916
Warren G. Harding  –  Berlin’s “What’ll I Do”, 1923
Calvin Coolidge  –  Gershwin’s “Rhapsody in Blue”, 1924
Herbert Hoover  –  Grofe’s “Grand Canyon Suite”, 1931
Franklin D. Roosevelt  –  Copland’s “Appalachian Spring”, 1944
Harry S Truman  –  Anderson’s “The Typewriter”, 1950
Dwight Eisenhower – Bernstein’s “West Side Story”, 1957
John F. Kennedy  –  Mancini’s “The Pink Panther Theme”, 1963
Lyndon Johnson  –  The Beatles’ “Yesterday”, 1965
Richard Nixon  –  Weissberg/Mandell’s “Dueling Banjos”, 1973
Gerald Ford  –  Williams’ “Theme from Jaws”, 1975
Jimmy Carter  –  Williams’ “The Imperial March” (Darth Vader’s Theme), 1980
Ronald Reagan  –  Andrew Lloyd Webber’s “The Phantom of the Opera”, 1986
George H.W. Bush  –  George Winston’s “Hummingbird”, 1991
Bill Clinton  –  Doyle’s “Steam Engine” (from “Sense and Sensibility”), 1995
George W. Bush  –  Kirkhope’s “Viva Piñata Soundtrack”, 2006
Barack Obama  –  Williams’ “The Adventures of Tintin”, 2011

(and yes!  My son is quite familiar with all of the above pieces.)

jacques c      otto

BTW, this week we have been ALSO learning about Jacques Cousteau and Otto Von Bismarck.

Welcome to the best part of my day!
– Jane BH