Seven Years in Tibet

Music Notes

Music, music, music.  And only music, music, music.

Longing for L-O-N-G classical music pieces:

Music to lull someone to sleep – 

Someone in the family has been waking in the middle of the night (I might be glaring at my son right now) and the only way to get said person back to sleep is to sit with him in his darkened room and listen to two or three calming, lengthy (this is key, short ‘n’ choppy does not do the trick) classical music pieces.  Each one needs to whisper, “you are getting sleepy, you are getting sleepy, you are getting sleepy”:

  • 14+ minutes:  Ralph Vaughan Williams “The Lark Ascending”
  • 12+ minutes”  Dvorak’s “Symphony No. 9” (“From the New World”), movement II
  • 12+ minutes:  Beethoven’s “Symphony No. 6 in F major”, movement I
  • 12+ minutes:  Beethoven’s “Symphony No. 6 in F major”, movement II
  • 9+ minutes:  Mozart’s “Concerto for Flute and Harp in C major”, movement II (the Andantino)
  • 9+ minutes:  Schumann’s “Symphony No. 3 in E flat” (“The Rhenish”), movement I
  • 9+ minutes:  Josef Strauss’s “Music of the Spheres”
  • 8+ minutes:  Rimsky-Korsakov’s “Scheherazade”, movement I (“The Sea and Sinbad”)
  • 6+ minutes:  William Grant Still’s “Song of the Riverman” from “The American Scene – The Southwest”
  • 5+ minutes:  John Williams’ “Approaching the Summit”, from the movie, “Seven Years in Tibet”

Music to draw out the evening – 

Sometimes we speed through stories and studies and it is still quite early in the evening.  We have time for longer classical music selections than usual, and we pick livelier than the “lulling to sleep” pieces:

  • 12+ minutes:  Mendelssohn’s “Overture to A Midsummer Night’s Dream”
  • 11+ minutes:  Smetana’s “The Moldau” 
  • 10+ minutes:  Dukas’s “Sorcerer’s Apprentice” 
  • 9+ minutes:  von Suppe’s “Poet and Peasant Overture”
  • 9+ minutes:  Ponchielli’s “Dance of the Hours” from his opera, “La Gioconda”
  • 9+ minutes:  Mendelssohn’s “The Hebrides Overture”

April looks back at March:

Music for St. Patrick’s Day –

We compared two interpretations of the jig,  “The Irish Washerwoman”, inspired by the 17th century English Folk tune, “The Dargason” (Anglo-Saxon word for fairy)(not a river as I first assumed)(but seriously, doesn’t “The Dargason” sound like a river name?) –

– Gustav Holst’s “Fantasia on the Dargason”, composed in 1911 for his “Second Suite for Military Band”.  An excellent VIRTUAL performance by the Sacramento State Symphonic Wind Ensemble from October 2020. 

– Leroy Anderson’s “The Irish Washerwoman” from movement one of his “Irish Suite”, first performed in 1947.  Rollicking (we expect no less from Leroy Anderson) –

Music Madness –

We created our own March Madness Classical Music Brackets and pitted our favorite pieces by British composers (Handel, Holst, Vaughan Williams, Elgar, Binge, Sullivan, Clarke, and Alwyn) against each other.  After 9 grueling rounds, the top thrilling three:  

“The Wild Bears”, by Sir Edward Elgar from “The Wand of Youth”, suite II (1908).  No question about this, “The Wild Bears” is my son’s favorite classical music piece.  It has everything – scampering, tiptoeing, abrupt twists and turns, superb use of every instrument in the orchestra, and a smashing conclusion – all packed into 2+ minutes:

“Arrival of the Queen of Sheba”, by George Frederich Handel from his oratorio, “Solomon” (1749).  Don’t miss this short video if you want to see your first THEORBO (a ridiculously large lute-type instrument):

“Sailing By”, by Ronald Binge (1963).  This is the BBC4 Shipping Forecast theme, and we love it.  Comfort listening:

Welcome to the best part of my day!
– Jane BH

Quandary

Here is the quandary (vocab):  I do not like reading to my son about man’s inhumanity to man; he has enough to deal with without trying to grasp the perplexing notion of cruelty.  HOWEVER, the “Wicked History” series books are so well written, organized, researched, and crazy fascinating – we can’t stay away.

leopold-book-cover

We just finished the book on BAD BAD King Leopold II of Belgium (1835-1909); and he was indefensibly bad – Hitler and Stalin BAD.  There were passages in the book describing atrocities under his leadership of the “Congo Free State” (his PERSONAL colony) so barbaric, that while reading aloud to my son, I had to skip over paragraph after paragraph.
On the plus side:
– we learned a LOT about what is now the Democratic Republic of the Congo and came away fascinated
– we added to our hero list:  George Washington Williams (a journalist), Edmund Morel (a most alert shipping clerk) and Roger Casement (a British consul). These men brought the brutal policies of Congo Free State administrators to world wide attention and censure (vocab)
– AND Leopold II died with just about everyone (well, maybe everyone) despising him. (ridiculously small consolation)

amazon-pic himalayan-pic

from “The Wonder Garden” book by Williams and Broom – stunning

The subject matter gets a LOT happier, but DRAT:  we just hate it when a good book ends. We loved EVERY page of “The Wonder Garden” by Kristjana S. Williams and Jenny Broom; luscious illustrations accompanied by solidly interesting facts.  This startlingly beautiful book showcases animals of five distinct habitats around the world. We were familiar with the Amazon Rainforest and the Great Barrier Reef, but we really hadn’t read anything about the Black Forest, the Chihuahuan Dessert or the Himalayan Mountains.  This delicious book is SO on our “read-it-again list”.

Last night my son took a simple matching location-to-fact quiz and then we paired up one piece of music with each habitat.

habitat-quiz

Music to remind us of five living wonders of our world:
– The Amazon Rain Forest – hosting around 1,500 species of birds, Camille Saint-Saens’ “The Aviary” (from his “Carnival of the Animals”, 1886) was an obvious selection.  The music is prefaced by an Ogden Nash poem read by Roger Moore.  Elegant:

– The Great Barrier Reef – again, from Saint-Saens’ “Carnival of the Animals”:  “The Aquarium”. Gloriously haunting music provides a backdrop for the world’s largest living structure (however, as beautiful as this linked video is, “The Aquarium” takes up only the first 2.5 minutes; the carnival’s donkey and the cuckoo movements follow, for some unknown reason):

– The Black Forest – the habitat for not only the world’s largest owls, but also the setting for several fairy tales from the brothers Grimm.  My son and I listened to “Evening Prayer” from the opera “Hansel and Gretel”, composed by Englebert Humperdinck in 1893.  We twiddled our fingers during the three minute LONG introduction; however once we got to the meat of the composition we enjoyed possibly the most comforting lullaby ever:

SIDEBAR:  another Englebert Humperdinck??? – we followed Humperdinck’s “Evening Prayer” with a short discussion of British pop star (of the ’60’s and ’70’s) Englebert Humperdinck (but really Arnold George Dorsey) (obviously NO relation to the composer of the late 1800’s).  My UCLA college room-mate, J’nette, warbled a mocking version of  Humperdinck’s giant hit “Release Me” throughout our undergrad years, so I made my unappreciative son endure a trip down memory lane:

– The Chihuahuan Desert – Well, first of all, we had no idea where the Chihuahuan Desert was (southern parts of Arizona, New Mexico, Texas and northern parts of Mexico) and we are practically living in it!  We felt the second movement (the “Largo” movement) of Dvorak’s “New World Symphony” evoked the loneliness, uncertainty, and the grandeur of this habitat:

– and finally, The Himalayan Mountains – we paired “the rooftop of the world” with  “Approaching the Summit” composed by genius genius genius John Williams for the 1997 movie “Seven Years in Tibet”.  We could hear how this music captures themes – majestic and mysterious – from both sides of the Himalayan Mountains (India and China):

Welcome to the best part of my day!
– Jane BH
(The story problems from this week seemed painfully frivolous after reading about the human suffering provoked by King Leopold II.  I just couldn’t post any of them.)