The Pink Panther Theme

The Call of the Wall

What if there was a blank wall?  Then all of a sudden:  Street art!  Graffiti!  Spray paint us interested.

Book:  Banksy Graffitied Walls and Wasn’t Sorry, by Fausto Gilberti. Talk about timing:  the minute my son and I finished this informative book (with its fabulously whacko illustrations) – LIKE MAGIC –  a new Banksy statue appears in London!   We are in awe of Banksy’s nerviness, we are aligned with Banksy’s message, we now have a Banksy poster up on the wall.

Book:  Hey, Wall, by Susan Verde and John Parra.  This quick reading, almost sweet book clarifies the difference between graffiti and street art.  Excellent notes from both author and illustrator at conclusion of book.

– from the sarahknightwriter.com website

Website:  Graffiti on the Berlin Wall – we read through a simply excellent essay, “How Nikita Khrushchev Turned Berlin into a Happening Art Scene” on the sarahknightwriter.com website.  (HIGHLY RECOMMEND).  Superb, organized writing (with a comprehensive definition of graffiti).  After reading, we had maps out, looking at Germany after WWII.  We spent time considering the mean-spirited wall constructed around West Berlin in 1961.  Anyway, the “western” side of the wall ended up covered in graffiti….some of it still preserved.  SO INTERESTING.

Up close and personal:  Street Art in San Pedro, California – back in 2018, one of my best friends from UCLA days, Miss LynnDee, invited me to come see what was about to happen in her hometown of San Pedro:  the community was coming together to create a 2,000 foot mosaic mural (master-minded by artist Julie Bender) on a retaining wall that faced the Pacific Ocean.  Oh boy!  A completely fun day was spent in a ceramics lab (note my tiny tile effort, obviously critical to the wall’s artistic statement).  The mural was completed in 2021.  What fun to share photos of this San Pedro treasure with my son.  He was so focused when viewing the mosaic interpretations of fish, sea birds, and boats.  He is familiar with the concept of mosaics from our study of the Vatican (see “Holy Zucchetto!” from September 2015 if ya want proof).

     

Because it’s not all about the call of the wall:

Our Tom Gates Marathon –  My son and I have our grin machines turned on if we are ending an evening’s study with a dip into a Tom Gates book.  Over the years, we have read Liz Pichon’s Tom Gates books here and there, but we decided to give these books a serious re-read, starting with book 1, The Brilliant World of Tom Gates, straight through to book 24 (and hopefully, book 25), no stopping.  Here is what we like about the Tom Gates books:  

the cast of characters 
(who drains us the most?  Tom’s sister Delia? Uncle Kevin? Marcus Meldrew?)
– the pickles Tom gets himself into – the oodles of doodles – the British vernacular –

So the marathon has begun.  We have finished book 1 and are half way through book 2 (Tom Gates – Excellent Excuses).

Story Problem –  The local diner is hosting a sidewalk chalk art experience for kindergarteners.  The diner will provide chalk, complimentary refreshments (their famous “not too tart” lemonade), AND the diner has contracted with multi-talented town photographer, Miss Diane, to take photos of the sidewalk art, create a poster from said photos, and print up loads of copies that will eventually be available for sale – as an impulse buy – right next to the diner cash register.

The diner has budgeted $50 for their lemonade and $75 for the chalk.
The posters will cost $10 to print up and will sell for $15.

– How many posters will need to be sold to recoup the cost of the chalk and the lemonade?
A)  25     B)  50     C)  75     D)  100

– If 40 young ’uns participate in the sidewalk art experience, and all of their moms, 4 teachers, and 15 grandparents purchase a poster, how much profit will the diner see from the event?
A)  $40     B)  $59     C)  $170     D)  $295 (answers at bottom of post)

Orchestral Music – a Banksy soundtrack!  My son and I agreed that we would LOVE to accompany Banksy on a stealthy midnight art installation.  We did not agree on background music for for sneaking around with Banksy – 

  • My son picked The Pink Panther Theme, composed by Henry Mancini for the 1963 film.  Nominated for Academy Award for best original score (but lost to Mary Poppins).  Sneaky, sneaky, sneaky.

  • I picked Anitra’s Dance, from Peer Gynt Suite No. 1, composed by Edvard Grieg in 1875.  Sneaky and sly, fast tiptoeing.  (Oooooh!  Look at the intensity of Thomas Dausgaard, the conductor.  No wonder the performance is so A+!)

  • …but we both agreed that the boldness of Banksy’s art is well matched with Aaron Copland’s Fanfare for the Common Man, composed in 1942.  This particular video, featuring Leonard Bernstein as conductor, spots Mr. Copland seated in the balcony.  (I shed tears.)

Welcome to the best part of my day!
– Jane BH
(story problem answers:  A)  25 and D) $295)

Salient?

state-map

Salients and Peninsulas – We are a fifth of the way through our “Where is That?” states-in-the-USA activity, and my son is learning more than just the location of the states.  Two nights ago we learned about salients – and SURPRISE, we have lived in three of nine salient states:  Texas, Oklahoma, Florida, West Virginia, Connecticut, Idaho, Nebraska, Maryland, and Alaska.  We learned that SALIENT is the correct geographical term for a PANHANDLE (side learning excursion – I had to show my son a real pan handle).  We learned that a panhandle is surrounded by land, and a peninsula (where Big Peaches – star grandmother – lives) is surrounded by water.  We also considered the customary definition of salient (meaning “most important”, “most noticeable”) (vocab).  And my son also learned that panhandling (vocab) has nothing to do with pans or geography.

pans

Story Problem from Le Fictitious Local Diner – speaking of panhandles, the diner management team decided it is time to replace all frying pans.  The chefs are delighted!  8 small-sized skillets are to be ordered at a cost of $25 each, and 8 larger fry pans are to be ordered at a cost of $75 each.  How much will the diner spend for shipping (if shipping is 15% of the total order)?
A. $25      B. $80      C. $120      D. $200 (answer at bottom of post)

History is coming alive – Yay! Candace Fleming’s “Presenting Buffalo Bill – The Man who Invented the Wild West” has us on the edge of our seats.  We are currently reading about Will Cody’s pre-teen years in the Kansas territory, where his family was caught in the territory’s “slavery/no slavery” struggle (a shameful blot on the pages of American history – teams of pro-slavery thugs from Missouri terrorized homesteaders who did not want Kansas to be a slavery state).  As Will’s father was an object of death threats from the pro-slavery faction, and was often out of state, in hiding, a very young Will Cody had to provide the primary financial support for his large family.   Working for a shipping company that delivered goods to military posts in Colorado and Utah, Will had his full share of wild west adventures (stampedes, shoot-outs, starvation).  What’s going to happen next???

better-tokyo-sculpture           better-blue-brushtstroke

Roy Lichtenstein – two take-aways from Susan Goldman Rubin’s excellent book, “Whaam! The Art and Life of Roy Lichtenstein”:

1)  What is a win-win situation?  How about when a corporation commissions (vocab) artwork that will be accessible to the general public?  We love Lichtenstein’s sculpture, “Tokyo Brushstroke II” commissioned by an architectural firm in Japan, and the crazy-gigantic-five-stories high mural, “Blue Brushstroke” commissioned by The Equitable Life Assurance Society in Manhattan.  The win-win?
– thousands and thousands and thousands of people get to enjoy the artwork
– excellent PR (vocab) for the corporation
– the artist gets paid!
2)  We are never too old to try something new:  Roy Lichtenstein learned to play the saxophone in his mid 60’s! OF COURSE, we were enthusiastic about devoting an evening to a sampling of saxophone sounds:

  • Harlem Nocturne, composed by Earle Hagen and Dick Rogers in 1939, played to perfection by the Duke Ellington Orchestra. The saxophone brings the sultry:

  • The Pink Panther Theme, composed by Henri Mancini in 1963.  This is OLD footage, with Henry Mancini conducting.  The saxophone brings the relentlessly sneaky:

  • The Prologue to West Side Story, composed by Leonard Bernstein for the 1957 Broadway production. The saxophone doesn’t take center stage in this piece, but does set the tone for a collage of NYC sounds and rhythms:

Welcome to the best part of my day!
– Jane BH
(story problem answer:  C. $120)

The Liberace Instigation

liberace

This post is not about the man, Liberace, but about a GLARING ERROR he made before treating the TV audience to his take on the classic Strauss “Beautiful Blue Danube Waltz”.  See for yourself:

You saw the problem, right?

Of course, I am referring to the introductory comment: “…I would like to take you back…many hundreds of years ago to that wonderful, romantic night when Johann Strauss first introduced the waltz…”.  Here is the GLARING ERROR:  Johann Strauss II premiered “The Beautiful Blue Danube Waltz” in 1867, just 86 years (NOT many hundreds of years) prior to Liberace’s 1953 TV show.

I sort of want my son to have a more accurate sense of when important musical compositions were written, so I have put together a simple chart of classical pieces that he is familiar with, and paired them with US Presidential administrations. This will give us both a bit of a sense of what was going on in the world when each piece was written, and remind us that many great compositions are not as old as we think (or Liberace thought)(seriously, I suspect a lot of people think classical music was written 500 years ago, in a galaxy far, far away).

The chart works this way:

USA Presidential Administration – 1 orchestral piece composed or premiered during that time period

George Washington  –  Haydn’s “Symphony No. 94” (Surprise Symphony), 1791
John Adams  –  Beethoven’s “Piano Sonata No. 14” (Moonlight Sonata), 1801
Thomas Jefferson  –  Beethoven’s “Symphony No. 5”, 1808
James Madison  –  Rossini’s “The Barber of Seville”, 1816
James Monroe  –  Schubert’s “Marche Militaire”, 1822
John Quincy Adams  –  Rossini’s “William Tell Overture”, 1829
Andrew Jackson  –  Mendelssohn’s “Hebrides Overture”, 1830
Martin Van Buren  –  Chopin’s “Piano Sonata No. 2” (The Funeral March), 1837
William Henry Harrison  –  Wagner’s “The Flying Dutchman”, 1841
John Tyler  –  Mendelssohn’s “Wedding March”, 1842
James Polk  –  Liszt’s “Hungarian Rhapsody No. 2”, 1847
Zachery Taylor  –  Schumann’s “Symphony No. 3” (The Rhenish), 1850
Millard Fillmore  –  Verdi’s “Rigoletto”, 1851
Franklin Pierce  –  Foster’s “Jeanie with the Light Brown Hair”, 1854
James Buchanan  –  Offenbach’s “Orpheus in the Underworld” (the Can-Can!), 1858
Abraham Lincoln  –  Howe’s “Battle Hymn of the Republic”, 1862
Andrew Johnson –  Strauss II’s “Beautiful Blue Danube Waltz”, 1867
Ulysses S. Grant  –  Grieg’s “Peer Gynt Suite”, 1876
Rutherford B. Hayes  –  Gilbert & Sullivan’s “HMS Pinafore”, 1878
James Garfield  –  Bruch’s “Scottish Fantasy”, 1881
Chester A. Arthur  –  Waldteufel’s “The Skater’s Waltz”, 1882
Grover Cleveland  –  Saint-Saens’ “Carnival of the Animals”, 1886
Benjamin Harrison  –  Tchaikovsky’s “The Nutcracker”, 1892
Grover Cleveland  –  Dukas’ “The Sorcerer’s Apprentice”, 1897
William McKinley  –  Rimsky-Korsakov’s “Flight of the Bumblebee”, 1900
Teddy Roosevelt  –  Elgar’s “Pomp and Circumstance, No. 1”, 1901
William H. Taft  –  Stravinsky’s “Rite of Spring”, 1913
Woodrow Wilson  –  Holst’s “The Planets”, 1916
Warren G. Harding  –  Berlin’s “What’ll I Do”, 1923
Calvin Coolidge  –  Gershwin’s “Rhapsody in Blue”, 1924
Herbert Hoover  –  Grofe’s “Grand Canyon Suite”, 1931
Franklin D. Roosevelt  –  Copland’s “Appalachian Spring”, 1944
Harry S Truman  –  Anderson’s “The Typewriter”, 1950
Dwight Eisenhower – Bernstein’s “West Side Story”, 1957
John F. Kennedy  –  Mancini’s “The Pink Panther Theme”, 1963
Lyndon Johnson  –  The Beatles’ “Yesterday”, 1965
Richard Nixon  –  Weissberg/Mandell’s “Dueling Banjos”, 1973
Gerald Ford  –  Williams’ “Theme from Jaws”, 1975
Jimmy Carter  –  Williams’ “The Imperial March” (Darth Vader’s Theme), 1980
Ronald Reagan  –  Andrew Lloyd Webber’s “The Phantom of the Opera”, 1986
George H.W. Bush  –  George Winston’s “Hummingbird”, 1991
Bill Clinton  –  Doyle’s “Steam Engine” (from “Sense and Sensibility”), 1995
George W. Bush  –  Kirkhope’s “Viva Piñata Soundtrack”, 2006
Barack Obama  –  Williams’ “The Adventures of Tintin”, 2011

(and yes!  My son is quite familiar with all of the above pieces.)

jacques c      otto

BTW, this week we have been ALSO learning about Jacques Cousteau and Otto Von Bismarck.

Welcome to the best part of my day!
– Jane BH